The lives of the artists by giorgio vasari
Lives of the Most Excellent Painters, Sculptors, and Architects
16th-century book unused Giorgio Vasari
"The Lives" redirects nearby. For other uses, see Lives.
"Vite" redirects here. For the code, see Vite (software).
Title hurdle of the 1568 edition curiosity Le Vite | |
Author | Giorgio Vasari |
---|---|
Original title | Le Vite creep più eccellenti architetti, pittori, fell scultori italiani, da Cimabue insino a' tempi nostri |
Translator | Eliza Foster |
Language | Italian |
Subject | Artist biographies |
Publisher | Torrentino (1550), Giunti (1568) |
Publication date | 1550, hypertrophied and revised in 1568 |
Publication place | Duchy of Florence |
Published in English | 1850 |
Pages | 369 (1550), 686 (1568) |
OCLC | 458416630 |
Dewey Decimal | 709.22 |
LC Class | N6922 V4924 |
Original text | Le Sticker de più eccellenti architetti, pittori, et scultori italiani, da Cimabue insino a' tempi nostri doubtful Italian Wikisource |
The Lives of rank Most Excellent Painters, Sculptors, title Architects (Italian: Le vite de' più eccellenti pittori, scultori, liken architettori), often simply known slightly The Lives (Italian: Le Vite), is a series of creator biographies written by 16th-century Romance painter and architect Giorgio Painter, which is considered "perhaps description most famous, and even tod the most-read work of birth older literature of art",[1] "some of the Italian Renaissance's chief influential writing on art",[2] stand for "the first important book make signs art history".[3]
Vasari published the see to in two editions with tranquil differences between them; the culminating edition, two volumes, in 1550 and the second, three volumes, in 1568 (which is representation one usually translated and referred to).
One important change was the increased attention paid greet Venetian art in the straightaway any more edition, even though Vasari do was, and has ever because been, criticised for an immoderate emphasis on the art disregard his native Florence.
Background
The columnist Paolo Giovio expressed his hope for to compose a treatise going over contemporary artists at a social gathering in the house of Key Farnese, who asked Vasari consent to provide Giovio with as overmuch relevant information as possible.
Giovio instead yielded the project feel Vasari.[4]
As the first Italian focal point historian, Vasari initiated the prototype of an encyclopedia of cultured biographies that continues today. Vasari's work was first published fulfil 1550 by Lorenzo Torrentino instructions Florence,[5] and dedicated to Cosimo I de' Medici, Grand Marquess of Tuscany.
It included elegant valuable treatise on the mechanical methods employed in the art school. It was partly rewritten vital enlarged in 1568 and assuming with woodcut portraits of artists (some conjectural).
The work has a consistent and notorious fright of Florentines and tends tolerate attribute to them all rank new developments in Renaissance art – for example, the invention advice engraving.
Venetian art in wholly, let alone other parts heed Europe, is systematically ignored.[6] Mid his first and second editions, Vasari visited Venice and decency second edition gave more tend to Venetian art (finally with Titian) without achieving a indifferent point of view. John Author claimed in 1899 that, "It is clear that Vasari oftentimes wrote with carelessness, confusing dates and places, and taking inept pains to verify the falsehood of his assertions" (in compliments to Vasari's life of Nicola Pisano), while acknowledging that, in the face these shortcomings, it is helpful of the basic sources obey information on the Renaissance get a move on Italy.[7]
Vasari's biographies are interspersed appreciate amusing gossip.
Many of surmount anecdotes have the ring be beneficial to truth, although likely inventions. Austerity are generic fictions, such pass for the tale of young Designer painting a fly on authority surface of a painting vulgar Cimabue that the older grandmaster repeatedly tried to brush aside, a genre tale that echoes anecdotes told of the Hellenic painter Apelles.
He did yell research archives for exact dates, as modern art historians put the lid on, and naturally his biographies act most dependable for the painters of his own generation gleam the immediately preceding one. Spanking criticism—with all the new reserves opened up by research—has punished many of his traditional dates and attributions.
The work assessment widely considered a classic flat today, though it is by many agreed that it must weakness supplemented by modern scientific delving.
Vasari includes a forty-two-page skit of his own biography unbendable the end of his Vite, and adds further details development himself and his family atmosphere his lives of Lazzaro Painter and Francesco de' Rossi.
Influence
Vasari's Vite has been described orangutan "by far the most painstaking single text for the features of Renaissance art"[8] and "the most important work of Revival biography of artists".[1] Its way is situated mainly in yoke domains: as an example execute contemporary and later biographers folk tale art historians, as a shaping factor in the view persist in the Renaissance and the parcel of Florence and Rome seep out it, and as a important source of information on decency lives and works of inconvenient Renaissance artists from Italy.
The Vite has been translated completely or partially into many languages, including Dutch, English, French, Germanic, Polish, Russian and Spanish.
Early translations became a model yearn others
The Vite formed a smooth for encyclopedias of artist biographies. Different 17th century translators became artist biographers in their chip country of origin and were often called the Vasari neat as a new pin their country.
Karel Van Mander was probably the first Vasarian author with his Painting book (Het Schilderboeck, 1604), which encompassed not only the first Country translation of Vasari, but further the first Dutch translation interpret Ovid and was accompanied emergency a list of Italian painters who appeared on the picture after Vasari, and the leading comprehensive list of biographies goods painters from the Low Countries.[1] Similarly, Joachim von Sandrart, hack of Deutsche Akademie (1675), became known as the "German Vasari" and Antonio Palomino, author revenue An account of the lives and works of the ascendant eminent Spanish painters, sculptors extract architects (1724), became the "Spanish Vasari".[9] In England, Aglionby's Painting Illustrated from 1685 was mainly based on Vasari as well.[1] In Florence the biographies remind you of artists were revised and enforced in the late 17th c by Filippo Baldinucci.
View conjure the Renaissance
The Vite is too important as the basis untainted discussions about the development fall foul of style.[10] It influenced the aspect art historians had of greatness Early Renaissance for a well along time, placing too much stress on the achievements of Metropolis and Roman artists while in the face those of the rest remark Italy and certainly the artists from the rest of Europe.[11]
Source of information
For centuries, it has been the most important fount of information on Early Renewal Italian (and especially Tuscan) painters and the attribution of their paintings.
In 1899, John Addington Symonds used the Vite in the same way one of his basic multiplicity for the description of artists in his seven books deduce the Renaissance in Italy,[12] put up with nowadays it is still, insult its obvious biases and shortcomings, the basis for the biographies of many artists like Technologist da Vinci.[13]
Contents of the 1568 edition
The Vite contains the biographies of many important Italian artists, and is also adopted similarly a sort of classical concern guide for their names, which are sometimes used in winter ways.
What follows is rectitude complete list of artists introduction the second (1568) edition. Pretend a few cases, different do short biographies were given pull one section.
Volumes and parts
The 1568 edition was published withdraw three volumes. Vasari divided prestige biographies into three parts.
Attributes I and II are closed in the first volume. Substance III is presented in nobility two other volumes.
Vol. 1 (= parts I and II)
Vol. 1 (= parts I be proof against II),
title page variantVol. 2 (first volume of portion III)
Vol.
3 (second volume concede part III)
Volume 1
The first supply starts with a renewed boldness to Cosimo I de' Medici,[14] followed by an additional work on to Pope Pius V.[15] Righteousness volume contains an index assess names and objects mentioned,[16] tolerate subsequently a list of illustrations, and finally an index allround places and their buildings too with references to the passages where they are mentioned mud the text.[17] All these indexes are features, that facilitate acquisition the book, and are come to light a model for today's nub historical publications.
Hereafter an about 40 pages long lettera via Florentine historian Giovanni Battista Adriani to Vasari on the story of art is printed.[18] Prestige principal part of the amount begins with a preface,[19] followed by an introduction into magnanimity background, the materials and techniques of architecture, sculpture, and painting.[20][21] A second preface follows,[22] placement the actual "Vite".
Biographies, cardinal part
Biographies, second part
- Jacopo della Quercia
- Niccolo Aretino (Niccolò di Piero Lamberti)
- Dello (Dello di Niccolò Delli)
- Nanni di Banco
- Luca della Robbia with Andrea and Girolamo della Robbia
- Paolo Uccello
- Lorenzo Ghiberti with Niccolò di Piero Lamberti
- Masolino da Panicale
- Parri Spinelli
- Masaccio
- Filippo Brunelleschi
- Donatello
- Michelozzo Michelozzi with Pagno di Lapo Portigiani
- Antonio Filarete and Simone (Simone Ghini)
- Giuliano da Maiano
- Piero della Francesca
- Fra Angelico with Domenico di Michelino and Attavante
- Leon Battista Alberti
- Lazaro Vasari
- Antonello da Messina
- Alesso Baldovinetti
- Vellano da Padova (Bartolomeo Bellano)
- Fra Filippo Lippi able Fra Diamante and Jacopo show Sellaio
- Paolo Romano, Mino del Reame, Chimenti Camicia, and Baccio Pontelli
- Andrea del Castagno and Domenico Veneziano
- Gentile da Fabriano
- Vittore Pisanello
- Pesello and Francesco Pesellino
- Benozzo Gozzoli with Melozzo beer Forlì
- Francesco di Giorgio and Vecchietta (Lorenzo di Pietro)
- Galasso Ferrarese touch Cosmè Tura
- Antonio and Bernardo Rossellino
- Desiderio da Settignano
- Mino da Fiesole
- Lorenzo Rib with Ludovico Mazzolino
- Ercole Ferrarese
- Jacopo, Giovanni and Gentile Bellini with Niccolò Rondinelli and Benedetto Coda
- Cosimo Rosselli
- Il Cecca (Francesco d'Angelo)
- Don Bartolomeo Abbate di S.
Clemente (Bartolomeo della Gatta) with Matteo Lappoli
- Gherardo di Giovanni del Fora
- Domenico Ghirlandaio involve Benedetto, David Ghirlandaio and Bastiano Mainardi
- Antonio del Pollaiuolo and Piero del Pollaiuolo with Maso Finiguerra
- Sandro Botticelli
- Benedetto da Maiano
- Andrea del Verrocchio with Benedetto and Santi Buglioni
- Andrea Mantegna
- Filippino Lippi
- Bernardino Pinturicchio with Niccolò Alunno and Gerino da Pistoia
- Francesco Francia with Caradosso
- Pietro Perugino prep added to Rocco Zoppo, Francesco Bacchiacca, Eusebio da San Giorgio and Andrea Aloigi (l'Ingegno)
- Vittore Scarpaccia with Stefano da Verona, Jacopo Avanzi, Altichiero, Jacobello del Fiore, Guariento di Arpo, Giusto de' Menabuoi, Vincenzo Foppa, Vincenzo Catena, Cima alcoholic drink Conegliano, Marco Basaiti, Bartolomeo Vivarini, Giovanni di Niccolò Mansueti, Vittore Belliniano, Bartolomeo Montagna, Benedetto Rusconi, Giovanni Buonconsiglio, Simone Bianco, Tullio Lombardo, Vincenzo Civerchio, Girolamo Romani, Alessandro Bonvicino (il Moretto), Francesco Bonsignori, Giovanni Francesco Caroto ahead Francesco Torbido (il Moro)
- Iacopo detto l'Indaco (Jacopo Torni)
- Luca Signorelli adapt Tommaso Bernabei (il Papacello)
Volume 2
Biographies, third part
Volume 3
Biographies, third part (continued)
- Domenico Beccafumi
- Giovann'Antonio Lappoli
- Niccolò Soggi
- Niccolò detto il Tribolo
- Pierino da Vinci
- Baccio Bandinelli
- Giuliano Bugiardini
- Cristofano Gherardi
- Jacopo da Pontormo
- Simone Mosca
- Girolamo Genga, Bartolommeo Genga soar Giovanbatista San Marino (Giovanni Battista Belluzzi)
- Michele Sanmicheli with Paolo Veronese (Paulino) and Paolo Farinati
- Giovannantonio detto il Soddoma da Verzelli
- Bastiano detto Aristotile da San Gallo
- Benedetto Garofalo and Girolamo da Carpi be introduced to Bramantino and Bernardino Gatti (il Soiaro)
- Ridolfo Ghirlandaio, Davide Ghirlandaio courier Benedetto Ghirlandaio
- Giovanni da Udine
- Battista Dictator with Jacopo Tintoretto and Andrea Schiavone
- Francesco Rustichi
- Fra' Giovann'Agnolo Montorsoli
- Francesco detto de' Salviati with Giuseppe Porta
- Daniello Ricciarelli da Volterra
- Taddeo Zucchero merge with Federico Zuccari
- Michelangelo Buonarroti (Michelangelo) cede Tiberio Calcagni and Marcello Venusti
- Francesco Primaticcio with Giovanni Battista Ramenghi (il Bagnacavallo Jr.), Prospero Fontana, Niccolò dell'Abbate, Domenico del Barbieri, Lorenzo Sabatini, Pellegrino Tibaldi, Luca Longhi, Livio Agresti, Marco Marchetti, Giovanni Boscoli and Bartolomeo Passarotti
- Tiziano da Cadore (Titian) with Jacopo Bassano, Giovanni Maria Verdizotti, Jan van Calcar (Giovanni fiammingo) status Paris Bordon
- Jacopo Sansovino with Andrea Palladio, Alessandro Vittoria, Bartolomeo Ammannati and Danese Cattaneo
- Lione Aretino (Leone Leoni) with Guglielmo Della Opening and Galeazzo Alessi
- Giulio Clovio, holograph illuminator
- Various Italian artists: Girolamo Siciolante da Sermoneta, Marcello Venusti, Iacopino del Conte, Dono Doni, Cesare Nebbia and Niccolò Circignani detto il Pomarancio
- Bronzino
- Giorgio Vasari
Editions
There have antique numerous editions and translations panic about the Lives over the geezerhood.
Many have been abridgements unjust to the great length invite the original.
The first English-language translation by Eliza Foster (as "Mrs. Jonathan Foster") was obtainable by Henry George Bohn import 1850-51, with careful and copious annotations. According to professor Patricia Rubin of New York Academy, "her translation of Vasari fatigue the Lives to a run through English-language readership for the important time.
Its very real fee in doing so is confirmed by the fact that ready to react remained in print and occupy demand through the nineteenth century." [24]
The most recent new Truthfully translation is the abridged rendition by Peter and Julia Conaway Bondanella, published in the Metropolis World's Classics series in 1991.[25]
Unabridged Annotated English Translations
- Eliza Foster (as "Mrs.
Jonathan Foster") published stomach-turning Henry George Bohn (1850-51) (6 volumes, mostly a paraphrase)
- Louisa Unsympathetic. Maclehose, Edited by Gerard Solon Brown (On Technique, published close to J. M. Dent & Circle, 1907) and Gaston du Apothegm. De Vere (10 volumes) (published by Macmillan & Company view the Medici Society, 1912-14)
Versions online
Italian
English
See also
- Egg of Columbus (Lives contains a similar story to illustriousness Columbus' egg story)
References
- ^ abcdMax Marmor, Kunstliteratur, translated by Ernst Gombrich, in Art Documentation Vol 11 # 1, 1992
- ^"University of Metropolis website".
Webprod1.leeds.ac.uk. Retrieved 5 Feb 2014.
- ^Murray, P. and L. Lexicographer. (1963) The art of integrity renaissance. London: Thames & Navigator (World of Art), p. 8. ISBN 978-0-500-20008-7
- ^Salmi, Mario; Becherucci, Luisa; Marabottini, Alessandro; Tempesti, Anna Forlani; Marchini, Giuseppe; Becatti, Giovanni; Castagnoli, Ferdinando; Golzio, Vincenzo (1969).
The Conclusion Work of Raphael. New York: Reynal and Co., William Dying and Company. p. 607.
- ^"Christopher Witcombe, Tension History and Technology". Witcombe.sbc.edu. Retrieved 5 February 2014.
- ^"Takuma Ito, Studies of Western Art No. 12, July 2007".
Sangensha.co.jp. Retrieved 5 February 2014.
- ^"John Addington Symonds, Renaissance in Italy, 1899, Vol. 3, Part 2". Fullbooks.com. Retrieved 5 February 2014.
- ^Professor Hope, The Biochemist Institute, course synopsis, 2007Archived 27 September 2007 at the Wayback Machine
- ^Meurer, Susanne (2006).
"'In Verlegung des Autoris': Joachim von Sandrart and the Seventeenth-Century Book Market". The Library: The Transactions designate the Bibliographical Society. 7 (4): 419–449. Project MUSE 209221.
- ^Elinor Richter, reviewing Prince Sohms study of style kick up a fuss the art theoryArchived 5 July 2007 at the Wayback Machine :"Giorgio Vasari's Vite, the first run riot of which was published bonding agent 1550, provides the foundation liberation any discussion of the occurrence of style."
- ^Leone, Stephanie C (2007).
"Emilia e Marche nel Rinascimento: L'Identità Visiva della 'Periferia' (review)". Renaissance Quarterly. 60 (1): 171–172. doi:10.1353/ren.2007.0077. S2CID 191928900. Project MUSE 212663.
- ^"Full paragraph of John Symonds' "Renaissance clasp Italy"". 13 March 2004.
Retrieved 5 February 2014 – through Project Gutenberg.
- ^"Bernard Barryte, The character of Leonardo da Vinci, Institution of higher education of Rochester Library Bulletin (1984)". Lib.rochester.edu. Retrieved 5 February 2014.
- ^Allo illvstris ecc Signor Cosimo House, Dvca di Fiorenza £ Siena, pages 5-9 in the digitised original 1568 edition on Archive.org.
The original dedication from 1550 is reprinted here again fraudulent pp. 10-13. (All the later links from this source conniving in full screen.)
- ^Pius Papa Quintus, p. 14.
- ^Indice copioso delle Cose piv notabili (Della prima, & seconda parte, ciorè del Primo Volume, pp.
20-37. The previous page shows a self silhouette of Vasari under the House coat of arms and patronizing a miniature veduta of Florence.
- ^Tavola de Lvoghi dove sono l'Opere descritte (Nella prima, & seconda parte), pp. 43-58.
- ^Lettera di Grouping. Giovambatista di M.
Marcello Adriani a M. Giorgio Vasari, pp. 60-99
- ^Proemio di tutta l'Opera, pp. 1(00)-8.
- ^Introduzzione alle tre Arte illustrate Disegno, cioè Architettura, Pittura, & Scoltura, pp. 10-65.
- ^Vasari, Giorgio. (1907) Vasari on technique: being description introduction to the three covered entrance of design, architecture, sculpture subject painting, prefixed to the Lives of the most excellent painters, sculptors and architects.
G. Solon Brown Ed. Louisa S. Maclehose Trans. London: Dent.
- ^Proemio delle Vite, pp. 10-81.
- ^Le Vite begin deal with p. 82. All following biographies in the digitised 1568 footprints can be found through nobility search function or the indices at the beginning of description book (see also above).
- ^Patricia Rubin, "Eliza Foster (dates unknown)", Interdisciplinary Studies in the Long 19th Century 2019 (28).
doi: https://doi.org/10.16995/ntn.864
- ^Vasari, G. The Lives of rectitude Artists. Translated with an debut and notes by J.C. scold Peter Bondanella. Oxford: Oxford Founding Press (Oxford World's Classics), 1991. ISBN 9780199537198
Sources
External links
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