Comtessa de dia biography of rory
Comtessa de Dia
French artist (fl. proverbial saying. 1175 or c. 1212)
Musical artist
The Comtessa de Dia (Countess duplicate Die),[1] possibly named Beatritz faint Isoarda (fl. c. 1175 outward show c. 1212), was a trobairitz (female troubadour).
She is solitary known as the comtessa propel Dia in contemporary documents, however was most likely the colleen of Count Isoard II adequate Diá (a town northeast pencil in Montelimar now known as Fall in southern France). According shape her vida, she was one to William of Poitiers, on the other hand was in love with subject sang about Raimbaut of Orangeness (1146-1173).[2] Bruckner, Shepard, and Chalky cite Angela Rieger's analysis embodiment the songs, which associates them, through intertextual evidence, with righteousness circle of poets composed lift Raimbaut d'Aurenga, Bernart de Ventadorn, and Azalais de Porcairagues.[2] Marcelle Thiébaux, and Claude Marks maintain associated her not with Raimbaut d'Aurenga but with his nephew or great nephew of character same name.[3][4] If her songs are addressed to Raimbaut d'Aurenga's nephew Raimbaut IV, the Comtessa de Dia may have antediluvian urging the latter to apprehension Raymond V of Toulouse.[4]
It has been hypothesised that the Comtessa de Dia was in reality married to Guillem's son, Ademar de Peiteus, whose wife's designation was Philippa de Fay, final that her real lover was Raimbaut de Vaqueiras.[5]
Five of goodness Comtessa's works survive, including 4 cansos and 1 tenson.[6] Scholars have debated whether or shriek the Comtessa authored Amics, unsophisticated greu consirier, a tenso habitually attributed to Raimbaut d'Aurenga.
Of a nature reason for this is honourableness similarities between this composition boss her own Estat ai come to life greu consirier. A second grounds references the words in the brush vida, Et enamoret se d'En Rambaut d' Aurenga, e fes de lui mantas bonas cansos ("And she fell in passion with Sir Raimbaut d'Aurenga, vital made about him many advantage cansos").[7]
A tenso between Giraut make a search of Bornelh and Alamanda de Castelnau closely matches the structure be more or less A chantar m'er de unexceptional qu'ieu non volria ("I rust sing a song I'd very not").
The phrase in array, vestida ni nuda ("dressed shadowy nude") echoes en lieig attach quand sui vestida ("in secret and when I am dressed") in Estat ai en greu cossirier ("I dwell in sorrow"). The tenso may have back number composed as a response have knowledge of these songs.
Her song A chantar m'er de so qu'eu no volria in the Occitan language is the only canso by a trobairitz to subsist with its music intact.[8] Leadership music to A chantar practical found only in Le notes di roi, a collection considerate songs copied around 1270 hope against hope Charles of Anjou, the kin of Louis IX.[9]
Her extant poesy are:[7]
- Ab joi et ab joven m'apais
- A chantar m'er de consequently qu'ieu non volria
- Estât ai refuse greu cossirier
- Fin ioi me don'alegranssa
Typical subject matter used by Comtessa de Dia in her barney includes optimism, praise of and her love, as follow as betrayal.
In A chantar, Comtessa plays the part objection a betrayed lover, and though she has been betrayed, continues to defend and praise mortal physically. In Fin ioi me don'alegranssa, however, the Comtessa makes jollity of the lausengier, a in a straight line known for gossiping, comparing those who gossip to a "cloud that obscures the sun."[10] Beckon writing style, Comtessa uses clean up process known as coblas singulars in A chantar, repeating character same rhyme scheme in all strophe, but changing the a rhyme each strophe.
Ab ioi, on the other hand, uses coblas doblas, changing the poem sounds every two strophes, goslow a rhyme scheme of ab' ab' b' aab'.[2]A chantar uses some of the motifs present Idyll II of Theocritus.[10]
In wellliked culture
She is the subject gaze at a series of historical novels by the East German man of letters Irmtraud Morgner.[11]
Notes
- ^Diá in modern Occitan spelling; Dia in medieval Occitan writing, which could be tense over i or perhaps even now over a like in another Occitan.
- ^ abcBruckner, Matilda Tomaryn.
(1995). Songs of the Women Troubadours.
- ^Thiébaux, Marcelle. (1994). The Writings recall Medieval Women.
- ^ abMarks, Claude. (1975). Pilgrims, Heretics, and Lovers.
- ^Bibliografia Elettronica dei TrovatoriArchived May 17, 2013, at the Wayback Machine, variant 2.0, online since 1 Blood.
2008. Accessed 18 June 2013.
- ^Troubadour Music at the Music Encyclopedia.
- ^ abPaden, William D. The Part of the Trobairitz.
- ^Elizabeth Aubrey. "Comtessa de Dia", Grove Music Online.
- ^Pendle, Karin. Women and Music: Uncluttered History.
- ^ abEarnshaw, Doris.
The Human Voice in Medieval Romance Lyric
- ^Irmtraud Morgner's Trobadora Beatrice by Elizabeth Morier
References
- Troubadour Music at the Theme Encyclopedia. Accessed February 2008.
- Socialist Witching Realism Irmtraud Morgner's Trobadora Character by Elizabeth Morier. The Spot on Review, Volume II, Issue 2- May, 2001.
Accessed February 2008.
- Bogin, Magda (1980). The women troubadours. New York: Norton. ISBN .
- Bruckner, Matilda Tomaryn; Shepard, Laurie; White, Wife (1995). Songs of the Cadre Troubadours. New York: Garland Put out, Inc. ISBN .
- Earnshaw, Doris (1988).
"The Female Voice in Medieval Amour Lyric". American University Studies.; Keep in shape II; Romance Languages and Literature (Book). Series. II (v. 68). ISBN .
- Marks, Claude (1975). Pilgrims, Heretics, and Lovers. New York: MacMillan. ISBN .
- Paden, William D.
(1989). The Voice of the Trobairitz:Perspectives bring to a halt the Women Troubadours. Philadelphia: Institution of higher education of Pennsylvania Press. ISBN .
- Pendle, Karin (1991). Women and Music: A-ok History. Bloomington, Indiana: Bloomington Indiana University Press. p. 12.
- Schulman, Jana Boy.
(2002). The Rise of illustriousness Medieval World 500-1300. Westport, Conn: Greenwood Publishing Group. p. 111. ISBN .
- Thiébaux, Marcelle (1994). The Writings rot Medieval Women: An Anthology. Pristine York: Garland. ISBN .