Aaron copland biography timeline projects

Aaron Copland: Timeline of a Lilting Life

(compiled by Michael Boriskin)

1900—Born on Nov 14 in Brooklyn to Wife Mittenthal and Harris Copland, interpretation youngest of five children (Ralph, Leon, Laurine, and Josephine)

1906—Attends General School 111 in Brooklyn

1909—Begins make use of make up songs at magnanimity piano

1910-13—Attends summer camp (Camp Carey at Wilkes-Barre, PA)

1911—Earliest existing pursuit of music; begins piano tutelage with sister Laurine

1914—Begins studies block first professional piano teacher, Ludwig Wolfsohn in Brooklyn

1916—Hears first orchestra concert in Brooklyn

1917—First public accomplishment as a pianist

1918—Graduated from Boys’ High School, Brooklyn

1917-21—Studies harmony tolerate counterpoint with Rubin Goldmark

1919-21—Studies softly with Clarence Adler

1921—Enrolls learning newly-established American Conservatory at Fontainebleau in May; attends harmony best of Nadia Boulanger and begins composition studies with her small fry October

1922—First work published (by Durand): Le chat et la Souris (composed 1920); writes the Passacaglia for piano and first large-scale work, the ballet Grohg (revised 1932)

1924—First important article published, Gabriel Fauré, A Neglected Master (The Musical Quarterly)

1925—First major performances liberation an orchestral work, Symphony fund Organ and Orchestra at Eolian Hall (Nadia Boulanger, organist, absorb Walter Damrosch conducting the Additional York Symphony) and in Beantown (with Serge Koussevitzky conducting illustriousness Boston Symphony Orchestra); first give back to MacDowell Colony to lessons on Music for the Theatre; receives the first-ever Guggenheim Monument Fellowship (renewed in 1926); writes first of many articles reconcile Modern Music

1927—First major performance show Copland as pianist, World Debut of his Piano Concerto (composed 1926) with Koussevitzky and goodness Boston Symphony; begins lectures rot New School for Social Evaluation, New York (continuing for unfold years, eventually developing some time off these into his book What to Listen for in Music)

1928—Initiates Copland-Sessions Concerts with composer Roger Sessions, an important series in the main in New York devoted largely to contemporary music (continuing substantiate 1932, averaging two concerts ready to go season); joined the League atlas Composers (remaining a member inconclusive 1954); helps to establish Romaine Cob Press, devoted to advertising works by young American composers; completes first important chamber be troubled, Vitebsk

1929—Wins the RCA Victor Composers’ Competition with Dance Symphony (along with Ernest Bloch, Robert Center Bennett, and Louis Gruenberg); completes Symphonic Ode

1930—First visit to Yaddo, Saratoga Springs, NY; composes precede major work for solo pianissimo, Piano Variations; Organizes Festival help Contemporary Music at Yaddo (and a second one in 1932)

1932—First visit to Mexico, arranged wishywashy Carlos Chavez, which includes primary all-Copland program (organized by Composer at the Conservatorio Nacional association Music on September 2nd: Two Pieces for String Quartet, Piano Variations, Two Pieces for Chorus, and Music for the Theatre); joins the Board of Bosses of the League of Composers; joins a social and office collective called Young Composers’ Gathering (including Arthur Berger, Henry Goose, Lehman Engel, Vivian Fine, Physiologist Herrmann, Elie Siegmeister, and others)

1934—First performance of a staged snitch, the ballet Hear Ye!

Heed Ye! by Ruth Page Ballets (in Chicago)

1935—Teaches for the first previous at Harvard, replacing Walter Plunger on leave in spring semester; organizes five concerts at probity New School, each devoted standing the music of one framer (Harris, Thomson, Sessions, Piston, limit Copland)

1936—Writes regular column (“Scores dominant Records” for Modern Music, which continues until 1939); completes El Salon Mexico

1937—Composes The Second Hurricane, a "play-opera" for the Physicist Street Settlement Music School unadorned New York City, directed close to Orson Welles, to be over by children and adults

1938—Publisher becomes Boosey & Hawkes, to which he was recommended by Patriarch Britten; helps to establish Inhabitant Composers’ Alliance (serving as Gaffer between 1939 and 1945); helps to found Arrow Music Break open (incorporating Cos Cos Press) cotton on Engel, Blitzstein, and Thomson

1939—Writes supreme film score to The City, a documentary by Ralph Steiner and first score for shipshape and bristol fashion feature film, Of Mice squeeze Men; helps to found Dweller Music Center; publishes first softcover, What to Listen for twist Music

1940—Invited by Koussevitzky to enlighten at the first summer counterfeit the Berkshire Music Center mimic Tanglewood (continuing until 1965, be first including various administrative positions)

1941—Second work, Our New Music, published; four-month South American tour for blue blood the gentry Committee for Inter-American Artistic celebrated Intellectual Relations

1942—Completes A Lincoln Portrait, commissioned by conductor Andre Kostelanetz, and Fanfare for the Regular Man, and composes the choreography Rodeo, commissioned by Agnes activity Mille; elected to the Euphony Department of the National Association of Arts and Letters

1944—Receives Establishment Award nomination for his crust score to The North Star; returns to Harvard in justness spring for five talks because Horace Appleton Lamb Lecturer

1945—Wins Publisher Prize in Music and rectitude New York Music Critics Organize Award for Appalachian Spring, dexterous ballet by Martha Graham equanimous in 1944

1946—Completes one of diadem largest works, Symphony No.

3 (begun 1944), which wins righteousness New York Music Critics Wing Award; elected a member detailed ASCAP

1947—Four-month tour of Latin Usa for the U.S. Department try to be like State; gives up New Dynasty City apartment and loft workshop, and moves to Sneden’s Dock, Rockland County, NY; begins Clarinet Concerto for Benny Goodman

1948—Becomes Official of the League of Composers (remaining until 1951)

1949—European tour

1950—Wins Establishment Award for Best Original Melodious Score for the film The Heiress; sixth visit to loftiness MacDowell Colony, during which of course begins work on the Piano Quartet, his first 12-tone work; completes Twelve Poems of Emily Dickinson

1951—Receives Fulbright Fellowship for six-month stay abroad, including a tiny residency at the American Institution of Rome and first complaint to Israel; conducts work alongside another composer for the labour time (Diamond’s Rounds, in Italy); gives Charles Eliot Norton Lectures at Harvard (first native-born Inhabitant to hold Poetry Chair), promulgated in 1952 as Music duct Imagination

1952—Begins work on The Goner Land; buys his first do, Shady Lane Farm in Ossining, where he lives for point years

1953—Becomes embroiled in Washington’s anti-Communist hysteria, and is subpoenaed go up against testify at McCarthy Congressional hearings, as a result of which several of his engagements gust canceled; first book about Composer published, written by composer-critic President Berger

1954—World Premiere on April 1 of The Tender Land regress the New York City Opera; elected to membership in distinction American Academy and Institute well Arts and Letters

1955—Six months confine Europe; Julia Smith’s biography scope Copland published

1956—Awarded Gold Medal objection the American Academy and of Arts and Letters; receives first Honorary Doctorate (from University, U.); six months in Europe

1957—Composes Orchestral Variations (a symphonic decoding of his Piano Variations); completes monumental Piano Fantasy (begun comport yourself 1955)

1958—New York Philharmonic conducting launching

1960—Buys Rock Hill in prestige Town of Cortlandt, which was to be his home storeroom the remaining 30 years observe his life; fourth book publicised, Copland On Music

1961—Receives MacDowell Hamlet Medal of Honor, for notable service in the field assiduousness music; becomes President of Composer Colony (serving until 1968)

1962—Writes Connotations for Lincoln Center Inaugural Put yourself out by the New York Philharmonic; composes Down A Country Lane, is published in Life publication on June 29

1964—Awarded Presidential Ribbon of Freedom, America’s highest nonbelligerent honor

1965–66— Wrote, hosted, and unabated on a 12-part public host series, Music in the Twenties

1967—Writes Inscape, last major orchestral out of a job, for the New York Philharmonic’s 125th Anniversary

1968—The New Music, 1900-1960 is published (a revision take in his Our New Music)

1970—Receives Commander’s Cross of the Order pleasant Merit from West Germany captain the Howland Memorial Medal give birth to Yale University; awarded membership crush Institut de France and Britain’s Royal Philharmonic Society

1971—Composes the Match for Flute and Piano, fillet last important work

1975-76—Gives interviews come close to Vivian Perlis for her Voiced History Project in American Medicine at Yale University, which better into their collaboration on Copland’s autobiography

1977—Copland’s complete piano music terminated in concert for the prime time (by Leo Smit)

1979—Receives Airdrome Center Honors; first recording longed-for Copland’s complete piano music (by Leo Smit)

1980—“Wall-to-Wall Copland,” a day-long marathon concert, at Symphony Duration, New York City

1981—Department of Opus at Queens College of leadership City University of New Royalty renamed Aaron Copland School accustomed Music

1984—First volume of memoirs appears (Copland: 1900 Through 1942, impenetrable with Vivian Perlis)

1986—Awarded both character Congressional Gold Medal (by “act of Congress,” one of America’s highest civilian honors) and rectitude National Medal of Arts (bestowed by President Ronald Reagan)

1989—Second amount of memoirs published (Copland: Because 1943, with Vivian Perlis)

1990—Dies art December 2 at Phelps Monument Hospital Center, North Tarrytown, NY; ashes are scattered at Tanglewood

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