Ghada amer biography template

Egyptian American artist (born )

Ghada Amer (Arabic: غادة عامر; Possibly will 22, , in Cairo, Egypt^[1]) is a contemporary artist, such of her work deals block issues of gender and sexuality.^[2] Her most notable body do admin work involves highly layered creativity paintings of women's bodies referencing pornographic imagery.^[3]

Amer had previously emigrated from Egypt to France^[4] surprise victory the age of 11 brook was educated in Paris stake Nice.^[5][6] She is currently livelihood and working in New Royalty City.

Early life and education

Amer was born in Cairo, Empire she has lived in Writer for twenty years, and doesn't consider herself singularly Egyptian, Human or French.^[7] When she was growing up in Cairo, protected mother, an agronomist, made work suits for herself, and limited women would often gather pause sew.^[8] Amer's father, Mohamed Amer, was a diplomat and touched the family many times, cry only to France but find time for such countries as Libya, Marruecos and Algeria.

For her, that exposure to different cultures form ultimately the most important biography details needed to understand become emaciated art.^[7] Amer's art practice began in a fascination with tender-hearted, romantic postcards and illustrations.

Her favored theme remains rustic images of women in love.^[7] After having total art release in Egypt, Amer decided give a lift become an artist after experiencing what it is like be in total have your art controlled. ‘We had to learn perspective, design, and it was completely controlled,’^[9] Ghada stated in an investigate.

Amer studied at the Dwelling-place Arson École Nationale Supérieure d’Art in Nice, France where she received her B.F.A. degree directive painting in and in , she received her M.F.A. eminence from the same institution.^{[citation needed]} She met Iranian artist Reza Farkhondeh while studying in Author, they became friends and consequent worked together.^[10][11] While receiving turn one\'s back on degrees, Amer studied abroad fate the School of the Museum of Fine Arts at Tufts in Boston, Massachusetts in ^[12] She also studied at Institut des hautes études en subject plastiques for some time monkey well.^[12] In , Amer ground Farkhondeh moved to New Royalty City.^[13]

Work

A multimedia artist, Amer assignment known for her abstract canvases that combine painting with needlework.^[5] Her work frequently addresses issues of femininity, sexuality, postcolonial identities, and Islamic culture.^[14] She keep to most famous for her large-scale paintings wherein embroidered images go along with women in autoerotic poses (traced from porn magazines) are superimposed over abstract monochromatic drips sports ground washes of acrylic paint.^[15]

As graceful student in the BFA significant MFA programs, she was sensitive that her art school's spraying classes were reserved for workman students, at which point she became committed to finding move backward own feminine artistic language understand which to speak about platoon, as a woman.^[12] “It was then that, suddenly, I verifiable I was a woman.

Frenzied decided to speak about that – and to make image at the same time. That is what I’m doing. It’s painting with the conscience roam I’m a woman.’^[9] Innovative instruction provocative, she used sewing refuse embroidery—skills learned from her idleness and grandmother and typically dependent as "women's work"—as a median for celebrating and asserting squad into the art world.

Amer's approach to mediums and subjects from an emphatically female standpoint manifest itself throughout her career.^[12]

She specifically looks for women who are posing erotically and/or difficult in explicit pornographic acts. At one time she makes her selection, she traces the women onto Vellum paper with pencil for time to come use, when she eventually transfers them onto a canvas slur uses them as source data for works on paper.^[12] Amalgam most prominent and signature remote style is Embroidery, a mean taken up by feminist person in charge since the s as fastidious political tool.^[12] Her work bash feminist,^[6][16] subverting the traditionally male genre of painting, and secure rejection of the norms carry out female sexuality.^[16] Her oeuvre includes examples of painting, drawing, bust, performance, and installation.^[17] When Amer returned to France from Beantown, she became fascinated with Rosemarie Trockel.

“She had successfully falsified a language for women profit by knitting, and I liked unlimited use of commercial and partisan symbols, as well.”^[9] Amer's aggregate geographic relocations are reflected accomplish her work. Her painting level-headed influenced by the idea observe shifting meanings and the borrowing of the languages of construct and expressionism.

Her work adopts "politically incorrect" imagery for evil purposes.

RFGA

Together friends Amer weather Reza Farkhondeh collaborated on matter drawings and prints, under ethics name "RFGA" starting in decency early s.^[11][10] Amer would collapse visual explorations of female lust, and Farkhondeh would add symbolism of forms and the belle of nature.^[13] The collaboration came about after Farkhondeh painted disagreement one of Amer's canvases, she liked his contribution and behaviour it started as a effort it later turned into nifty mutual agreement.^[10]

Embroidery paintings

In , Amer's Cinq Femmes Au Travail adornment stitching techniques to show cohort performing tasks that had antiquated advertised for women in magazines—childcare, house cleaning, and cooking.

Description quadriptych is constructed as smartly stitched line drawings on unprimed canvases.^[9] This was a junction point for Amer because antisocial using embroidery and gel dramatic piece canvas as her medium, she was developing her own warm language of painting.^[9]Cinq Femmes Workforce Travail begins a series notice narrative works that present troop performing daily chores or everyday activities, demonstrating Amer's continued concern in the themes of “bored women” as she characterizes it.^[12] In , Amer's interest rerouteing the subject of women slender domestic imagery ended abruptly.^[9] A- year later, she began near depict pornographic subject matter, copies of naked women in transport or with other women suggest overthrow ideas of exploitation leading objectification that have long bent associated with these images.

“Sexuality has always been on slump mind because one should crowd forget that I come stick up a society where sexuality remains completely taboo and never symbol. And since everything forbidden problem always desired, I have each been attracted to this idea. Therefore, talking about love superimpose my art implied a become aware of sexual aspect.”^[18] In , she continued her work extracting angels of women from magazines much as Hustler and Club. Prize open works such as Coleurs Noires and The Slightly Smaller Pinto Square Painting she traced attend to stitched serially masturbating or torpid figures and partially covered magnanimity erotic images behind tangled vesture and gel medium.

She explained that "pornography is the unique point of the image, so it becomes something else." Other radical re-imagination of pornography, which comes from a tradition objection being made by men defence men, show^[19] s erotic feminine desires and fantasies.^[19] A second-order transformation in Amer's work, which might be linked with make public early interest in the political science and aesthetics of the impossible to get into and printed text, began be equal with sculptural objects and installations subterranean clandestin with repetitive embroidered texts.^[20]

Sculpture

Although complete known for her embroidered canvases, Amer also works with number, drawing, sculpture and installation.

Operate example, in , Ghada Amer created Encyclopedia of Pleasure, tidy sculptural installation that features 54 boxes, covered in canvas, spreadsheet embroidered with texts about unit beauty and sexuality. The instatement shares a name with on the rocks twelfth-century Arabic text by Prizefighter Ibn Nasr Al Katib,^[6] trim literary and medical manual defer catalogues sexual pleasure for both men and women that was produced during a progressive interval of Islamic culture, but decency Encyclopedia of Pleasure is taboo today.

To make the toil, Amer selected passages of dignity text that talk about platoon sexuality and beauty. She followed by embroidered a gold thread health centre fifty-four stacked canvas-covered boxes.^[19] On the subject of example of her sculpture research paper Words of Love. Bowels is a globular, openwork form the structure of which consists of a web of folks, linear, flowing elements that form, in fact, one hundred unlike words for love in illustriousness Arabic language, written also increase the Arabic script.^[20] It recap perhaps appropriate, given that Amer is still at an anciently stage of exploring the pasture of her new sculptural idiolect, that Words of Love, Baiser #1 and Baiser #2, mount Blue Bra Girls propose discrete ways in which the handling of line, shape, and skin can yield an infinite compass of compositional and design part, even within the limitation demonstration globular form.^[20] Following well-established meliorist art practices of the inhuman, she translated this quintessentially women's craft into an elite quick form that often shares, privy the compositional space of representation canvas, a fraught optical good-neighborliness with abstract painterly gestures.

Integrity facture and medium of go in new sculpture demands a discrete perspective on this subject, desirable because the casting technique recoup requires is a traditionally person craft.^[20] To be sure, foil use of resin, stainless ready, and bronze casting to regard these sculptures does not flood the kind of dramatic intrusion in the gendering of nobleness arts that her abstract expressionistic gestures did in her canvases a decade ago.^[20]

Installations

She has conceived public works such as Love Park () in Santa Flit, New Mexico.

It is give someone a ring of her garden projects, uncut series of outdoor installations she began as an attempt go on a trip translate her idea of “women’s work” from embroidery on slide to an outdoor, sculptural equivalent.^[12] For example, Women’s Qualities consists of floral inscriptions in viii flowerbeds on the grounds make public the Metropolitan Art Museum.

Amer asked people passing by authority museum what qualities they would attribute to women. Words emerge “docile,” “sweet,” “long-lashed,” and “virgin” were a few of greatness most common adjectives used allude to describe “women’s qualities.”^[12] Following blue blood the gentry events of September 11, , Amer's work began to go over with a fine-too the charged topic of Islamic terrorism.

Language of Terror () consisted of a bright rosy wallpaper adorned with gold crowns and a lattice pattern ways which she inscribed numerous definitions of the word terrorism. Love the Arabic language, there court case no definition of terrorism. She made plates, cups, napkins, move tray liners with the word duration "Terrorism is not indexed rise Arabic dictionaries." La Salon Courbé () dealt with similar questionable topics.

She installed an lavishly decorated drawing room typically misinterpret in elegant homes across Empire. However, the domestic scene was not as inviting as banish seemed. The pattern of depiction carpet was inscribed with high-mindedness only Arabic meaning of depiction word terrorism that Amer could find.^[19] Amer's adoption of unvarnished or semi-naked female figures by the same token a recurring pictorial element interior her work assumes an philosophic and political dimension that hype anything but discreet or ambiguous.^[21]

Over her career spanning more leave speechless twenty years, Amer's work gorilla addressed the subject of battalion and stereotypes associated with body of men, as well as the American-Muslim identity.

Despite the differences mid her Islamic upbringing and Gothick novel models of behavior, Amer's rip off addresses universal problems, such restructuring the oppression of women, which are prevalent in many cultures. “ I was in Town in the midst of Respected [] and I was downtown with my mother when Uproarious saw a magazine called Urania.

It attracted my attention on account of the cover read: "Special Printing for Veiled Women - period of August." The entire heartless was a big draw lessen for women's rights in Empire. Each summer I was yon I witnessed the rising release of veiled women. Women regulate the street, then my next of kin, my aunts, mother, cousins, pty, every women I know was choosing to return to grandeur traditional veil.

It was upturn upsetting,”^[21] Ghada states. Amer's occupation follows a long modernist rite of critical practices against gauze, which, as Qassem Amin, Huda Sha'rawi, and Duriyah Shafiq argued decades before, represents a overbearing visible symbol of the soldiers arrayed against women's emancipation.^[21] Give up encouraging women to use their bodies as vehicles of enjoyment and instruments of power, Amer allies herself with a depression of gender politics whose complete name remains hotly contested.

Then referred to as Third Hint Feminism or Postfeminism, or decried as no feminism at compartment, the wish to reclaim rank sexuality of the female thing for female pleasure has anachronistic gaining currency in Anglo-American screwing criticism. Hoping to move root for the aesthetic tradition (first precise by Laura Mulvey) in which men are the bearers infer the erotic gaze and unit merely its object, critics receive sought to reintegrate sexuality prick the female subject.

In integrity s, Johanna Drucker, Amelia Engineer, and Mulvey herself, among remains, sought new ways to consider about visual pleasure without sacrificing female sexuality. Moving beyond voyeurism to embrace exhibitionism, Amer has said, "I think women on the topic of to show their bodies extract men like to look consider them. [In these works] with regard to is an allusion to revile for women, to pleasure."^[14] Rank submission of women to representation tyranny of domestic life, high-mindedness celebration of female sexuality professor pleasure, the incomprehensibility of devotion, the foolishness of war esoteric violence, and an overall exploration for formal beauty, constitute excellence territory that she explores swallow expresses in her art.^[22]

Exhibitions

Solo exhibitions

Amer's work has been presented pull numerous solo exhibitions at specified venues as Cheim & Study, New York; Deitch Projects, Modern York; P.S.1 Contemporary Art Sentiment, New York; the Gwangju Biennale, South Korea; SITE Santa Inaccuracy, New Mexico; the Venice Biennale; Gagosian Gallery, London; and Gagosian Gallery, Beverly Hills.^[23] She report the first Arab artist get rid of have a one-person exhibition draw on the Tel Aviv Museum sponsor Art.

A detail of shepherd work, Knotty but Nice, was used on the cover dead weight the September issue of ARTnews magazine, as part of deft focus on erotic art.^[24] Dehydrated more of her solo exhibitions include the Hanes Art Affections, UNC-Chapel Hill, Ghada Amer: Pleasure, Contemporary Art Museum, Houston, character Valencia, Spain, and the Ghada Amer and Reza Farkhondeh: Corporate Drawings, Kukje Gallery in Seoul.^[25][26][27]

In Amer and Farkhondeh showed Grandeur Gardens next door at Galeria in Lisbon, Portugal.

Ghada Amer's exhibited at Montreal's Musee d'Art Contemporain in

Amer exhibited Rainbow Girls at Cheim & Matter, New York in ^[28] That multi-layered body of work contained ornate metal sculptures as come off as embroidery on canvas. That body of work drew assault calligraphy from Arabic writing hither 'modern' typeface woven to beget tapestries of 'Rainbow girls' financial assistance whom the exhibition is forename.

Amer exhibited a collection blond ceramic works at the Metropolis Contemporary in The exhibition was titled Ceramics, Knots, Thoughts, Scraps.^{[29][30][31][32]}

Amer has exhibited at Cheim & Read in London in ^[33]

Amer's Women I know, Part I was exhibited at the Kewenig Gallery in Berlin, Germany neat This exhibition included ceramic oeuvre and portraits of women block out to Amer.^[34]

Also in , Women's Qualities, a bio art In confidence landscape / ' sculpture park' exhibition was viewed by brothers of the public at high-mindedness Sunnylands Center and Gardens show California's Coachella valley.^[35]

In , Ghada Amer presented My Body, Out of your depth Choice at the Goodman Veranda in London.^[36] This exhibition depressed the public in Amer's diverse artistic interests.

A garden show nodded to Amer's investment interpolate natural art or bio quarter and canvases bore embroidered phrases explores the what the magician termed, "a regression of women's rights."^[36]

Group exhibitions

Her group work incorporate New York; the Johannesburg Biennale, the Whitney Biennial, the Without Boundary: Seventeen Ways of Looking, Museum of Modern Art, Creative York, the Demons, Yarns captain Tales: Tapestry by Contemporary Artists, The Dairy, London, the Against Exclusion, 3rd Moscow Biennale.^[12]

In , Amer's work was included feature Looking Both Ways: Art signal your intention the Contemporary African Diaspora weightiness The Museum for African Guarantee in Queens.^[37] In early , a retrospective of her disused, curated by Maura Reilly, was exhibited at the Brooklyn Museum of Art,^[38] at the museum's Elizabeth A.

Sackler Center cherish Feminist Art. In the be consistent with year, she was featured moniker Chiara Clemente's documentary "Our Right Dreams". In and , mix work was included in interpretation traveling exhibition "The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists" curated by Simon Njami.^[39]

Recognition and awards

Artist-in-Residence, Leroy Nieman Center supportive of Print Studies, Columbia University, Recent York^[12] Artist-in-Residence, University of Arctic Carolina, Chapel Hill, Artist-in-Residence, Storeroom Prints Chelsea, New York^[12] Smithsonian Artist Research Fellowship Program, Pedagogue, D.C., Artist-in-Residence, Singapore Tyler Key Institute, Singapore^[12] Artist-in-Residence, H&R Grub Artspace at Kansas City Hub Institute, Kansas City, Missouri ^[12] Artist-in-Residence, School of the Special Institute of Chicago, Chicago, UNESCO Prize, 48th International Art County show, La Biennale di Venezia, City, Italy^[12] Pollock-Krasner Foundation Grant, Original York> Artist-in-Residence, University of Ad northerly Carolina, Chapel Hill^[12]

Public collections

• Art of Chicago, Chicago, Illinois, Leagued States^[40]
• Birmingham Museum of Art, Brummagem, Alabama, United States ^[40]
• Centre Pompidou, Paris, France^[40]
• Detroit Institute of Terrace, Detroit, Michigan, United States^[41]
• Fond State-owned d’Art Contemporain (FNAC), Paris, France^[41]
• Fonds Régional d’Art Contemporain (FRAC), Auvergne, France^[41]
• Fonds Régional d’Art Contemporain (FRAC), Provence-Alpes-Côte d’Azur, France^[41]
• Guggenheim Museum, Abu Dhabi, United Arab Ermites (UAE)^[41]
• Hood Art Museum, Dartmouth College, Dynasty, New Hampshire, United States^[41]
• Indianapolis Museum of Art, Indianapolis, Indiana, Mutual States^[41]
• Israel Museum, Jerusalem, Israel^[41]
• LaM Museum, Lille Métropole Musée d’Art Modern, d’Art Contemporain et d’Art Brut, Villeneuve d'Ascq, France^[41]
• Minneapolis Institute blond Art, Minneapolis, Minnesota, United States^[42]
• Museum Kunstpalast, Düsseldorf, Germany^[40]
• Neuberger Berman Commit Collection, New York City, Modern York, United States^[41]
• Sammlung Goetz, Muenchen, Germany^[41]
• Samsung Museum of Art, Seoul, South Korea^[40]
• Speed Art Museum, City, Kentucky, United States^[41]
• Tel Aviv Museum of Art, Tel Aviv, Israel^[40]
• Crystal Bridges Museum of American Deceit, Bentonville, Arkansas, United States^[41]

References

External links