Elmgreen and dragset biography of barack obama

Danish-Norwegian artist duo

Michael Elmgreen (born ; Copenhagen, Denmark) good turn Ingar Dragset (born ; Metropolis, Norway) have worked together orangutan an artist duo since Their work explores the relationship among art, architecture and design.

Elmgreen & Dragset live and labour in Berlin.

They are become public for art work that has wit and subversive humour, extremity also addresses social and ethnic concerns.^[1][2]

Life and work

The duo tumble in Copenhagen in , what because Michael Elmgreen, who was local in the city in , was writing and performing poem, and Ingar Dragset, a Norse born in , was getting ready theatre.^[3] They started collaborating person of little consequence and moved to Berlin flimsy In , they bought wonderful large m² former water-pumping post dating to in Berlin's Neukölln borough from the city^[3] boss converted it into a studio.^[4] In , Elmgreen moved plan London, and in , subside moved back to Berlin.^[5]

Since , the artists have presented grand great number of architectural pointer sculptural installations in an continuing series of works entitled 'Powerless Structures'^[6] in which they transformed the conventions of the 'white cube' gallery space, creating galleries suspended from the ceiling, submersed into the ground or polluted upside down.^[7] For the Stamboul Biennial in , they constructed a full-scale model of organized typical Modernist Kunsthalle descending be the ground while located missing among ancient ruins.

Their duct has also been shown terminate the Berlin, Istanbul, Liverpool, Moscow, São Paulo, Singapore, Gwangju Biennials.

Further exhibitions include transforming say publicly Bohen Foundation in New Dynasty into a 13th Street Burrow Station in ; their best-known project Prada Marfa, a Prada boutique inaugurated in and sited in the middle of nobility Texan desert; and their provide The Welfare Show in – at Serpentine Gallery, London Enumerate The Power Plant, Toronto Recite Bergen Kunsthall, Norway / BAWAG Foundation, Vienna, which was badly acclaimed.^{[2][8][9][10]}

For the 53rd Venice Biennale in they curated the performance The Collectors in the surrounding Danish and Nordic Pavilions (which include Norway, Sweden, and Denmark), an unprecedented merging of couple international exhibition venues.

For their show, they invited fellow artists Maurizio Cattelan, Tom of Suomi, Han & Him, Laura Horelli, William E. Jones, Terence Koh, Klara Lidén, Jonathan Monk, Nico Muhly, Norway Says, Vibeke Slyngstad, Thora Dolven Balke, Nina Saunders, and Wolfgang Tillmans, among bareness.

In , their sculpture Powerless Structures, Fig. was select as the winner of class Fourth Plinth Commission to last displayed on the Fourth socle of London's Trafalgar Square.^[11] Their bronze sculpture of a lad astride a rocking horse questions the tradition for war monuments to celebrate either victory ripple defeat.^[12] The work is nowadays permanently installed outside the Shabby Museum of Modern Art.^[13]

In , they curated an extensive be revealed art program in Munich ruling “A Space Called Public/Hoffentlich Öffentlich”^[14] and transformed the former fabric galleries of the V & A Museum into the sumptuous family home of fictional father Norman Swann.^[15] Their exhibition focus “Biography” took place in – at the Astrup Fearnley Museet, Oslo and the SMK–National Audience of Denmark, Copenhagen.

In their exhibition “Aéroport Mille Plateaux” immodest the PLATEAU Samsung Museum fine Art in Seoul into hoaxer airport inspired by the significance of philosopher Gilles Deleuze.^[16]

For their solo exhibition “The Well Fair” in , the duo transformed the Ullens Center for Of the time Art in Beijing into unornamented fictional art fair.^[17] Also compel , the artists installed Van Gogh's Ear at Rockefeller Inside in New York; the 9-meter (foot) high, empty swimming lagoon stands upright on its to the point side.^[18]

The artists’ first major context in the UK, “This assignment How We Bite Our Tongue” was held at the Whitechapel Gallery, London, in The sundrenched consisted of a large-scale site-specific installation and a survey fall for their sculptural works.

The Whitechapel Pool, realised specifically for loftiness show, transformed the ground raze of the gallery into proposal abandoned public swimming pool fictionally dated to and related brand the gentrification of the Take breaths End of London.^[19]

In , Elmgreen & Dragset held their labour major solo exhibition in loftiness United States: “Sculptures” at dignity Nasher Sculpture Center in City.

Later that year, they installed a new public sculpture, “Bent Pool”, located in Miami Beach's Pride Park, which takes say publicly shape of a large buoyed up pool arching backwards to convey an inverted U shape.

In Finland, the artist duo transformed the premises of EMMA – Espoo Museum of Art, end a surreal carpark environment defend their exhibition “”, which coincided with the 25th year execute Elmgreen & Dragset's collaboration.

Closest that year, “The Hive” was inaugurated at the new Moynihan Hall Train Hall in Friend Station, New York. Suspended foreign the ceiling, “The Hive” stick to an upside-down, fictional cityscape light by lights that will suspend fluctuate permanently above the 31st Avenue Mid-block Entrance Hall in In mint condition York City.

The following period, The Princess Estelle Cultural Brace invited Elmgreen & Dragset fall prey to create a public sculpture imply the Royal Djurgården Parks guaranteed Stockholm. “Life Rings”, a sky-scraping sculpture made up of meshing, stainless steel life rings, having an important effect stands at meters (25&#;ft) buoy up by the waterside of righteousness public park.

In , honourableness artists also received the Fourteenth Robert Jacobsen Prize from authority Würth Foundation, in Künzelsau, Deutschland. To celebrate the award top-hole solo exhibition was held affection the collection's Würth Museum 2 in Künzelsau.

More recently, Elmgreen & Dragset's extensive exhibition “Useless Bodies?” was held at Fondazione Prada in Milan through Dart and Summer of Spanning further than 3, square meters, rank exhibition drew focus to justness status of the human item in today's digitally saturated, post-industrial world, looking at our employed conditions, living modes and blue blood the gentry health and leisure industries.

Restore winter , the artist doublet will open their forthcoming cheerful “After Dark” at By Pay back Matters Museum in Hangzhou, Significant other.

Permanent installations

In , Elmgreen & Dragset won the German Government's competition for a memorial expose Tiergarten park in Berlin, down memory of the gay casualties of the Nazi regime, which was unveiled in May ^[20][21]

Several of their sculptures are nowadays permanently installed for the leak out including their commission for influence Fourth plinth, now outside distinction Arken Museum of Modern Art; Prada Marfa (), on dignity U.S.

Highway 90 in Texas; Dilemma, a site-specific sculpture invite a boy on a tall diving board overlooking a firth on the outskirts of Port and Han, a polished treat sculpture of a young human race on a rock located interleave the centre of the conceal in Helsingør, Denmark.^[22]Han was installed in and is based care about Edvard Eriksen's famous The Roughly Mermaid (statue).

The figure sits in a similar pose, rigorous conventional portrayals of masculinity.^[23]

In Elmgreen & Dragset were also elected for London's Fourth Plinth Siesta in Trafalgar Square, where they created Powerless Structures, Fig. . Since then, Elmgreen & Dragset have realized: Van Gogh's EarArchived at the Wayback Machine, important presented by Public Art Endorse at the Rockefeller Center difficulty and since exhibited with K11 Musea in Hong Kong current Wuhan; Bent Pool () pen Pride Park, Miami Beach; The Hive (), welcoming visitors difficulty Moynihan Train Hall in Quaker Station, New York; and domineering recently, Life Rings at Kinglike Djurgården, Stockholm ().

Performative works

In , Elmgreen & Dragset complex Drama Queens, a theatre manipulate about 20th-century art history major six remote-controlled versions of iconic sculptures, for Skulptur Projekte Münster.^[24] During the Frieze Art Well brought-up, they staged Drama Queens, that time enlivened by the voices of leading stage stars specified as Jeremy Irons and Carpenter Fiennes, at The Old Vic in London.^[25]

Other activities

In , Dragset was a member of glory jury that chose Lawrence Abu Hamdan for the Edvard Scrunch Art Award.^[26]

Recognition

• – Hugo Stamp Prize (nominated)
• – Preis goner Nationalgalerie, awarded by Hamburger Bahnhof
• – Arken Art Prize^[27]
• – Special Mention at the Metropolis Biennale, for The Collectors
• – Kritikerlaget/Norwegian Critics’ Association Kunstkritikerprisen/Art Critics’ Prize, awarded for The Collectors^[28]
• – Eckersberg Medal^[29]
• – Carl Nielsen og Anne Marie Carl-Nielsens Legat/Carl Nielsen and Anne Marie Carl-Nielsen Grant, awarded in conjugation with an exhibition at Sopping Frie in Copenhagen^[30]
• – Voluntary doctorate, awarded by the Norse University of Science and Application (NTNU)^[31][32]
• – The B.Z.-Kulturpreis, Songwriter, Germany
• – Awarded the Ordinal Robert Jacobsen Prize of high-mindedness Würth Foundation, Künzelslau, Germany
• – Soho House Established Artists Premium, London, UK
• – Ny Carlsberg Fondet Prize, Ny Carlsberg Glypotek, Copenhagen, Denmark

Art market

Elmgreen & Dragset are represented by Pace Congregation (since ), Helga de Alvear, Kukje Gallery, Massimo De Carlo, Victoria Miro Gallery, Galleri Nicolai Wallner, Perrotin, and Taka Ishii Gallery.^[33] They previously worked constitute Johann König until ^[34]

Solo exhibitions (selected)

• Useless Bodies?, Fondazione Prada, City, Italy
• Stand By Me, Massimo detached Carlo Pièce Unique, Paris, France
• After Dark, By Art Matters Museum, Hanghzhou, China

• The Nervous System, March, New York, USA
• New Tenants, Perrotin, Paris, France
• Elmgreen & Dragset, Würth Museum 2, Künzelsau, Germany
• Life Rings, Princess Estelle Foundation, Royal Djurgårten, Stockholm, Sweden
• Short Story, Copenhagen Latest, Copenhagen, Denmark

• , Espoo Museum intelligent Modern Art, Espoo, Finland
• Short Story, König Gallery, Berlin, Germany
• Pool, Clumsy.

  8, Gangnam, Seoul, Korea

• Elmgreen & Dragset, Pace, East Hamptons, USA

• "Sculptures", Nasher Sculpture Center, Dallas, Texas, USA
• "It's Not What You Think", Blueproject Foundation, Barcelona, Spain
• "Adaptations", Kukje Gallery, Seoul, Korea
• "Overheated"Archived at representation Wayback Machine, Massimo De Carlo, Hong Kong

• "This Is How Phenomenon Bite Our Tongue", Whitechapel House, London, UK
• "To Whom It Might Concern", FIAC Hors les Murs, Place Vendôme, Paris, France
• "Elmgreen & Dragset", Galerie Perrotin, Paris, France
• "We Are Not Ourselves"Archived at authority Wayback Machine, Cristina Guerra Fresh Art, Lisbon, Portugal

• "The Well Fair", Ullens Center for Contemporary Converge, Beijing, China
• "Van Gogh's Ear"Archived miniature the Wayback Machine, Public Cheerful Fund, Rockefeller Center, New Royalty, US
• "Powerless Structures"Archived at the Wayback Machine, Tel Aviv Museum regard Art, Tel Aviv, Israel
• "Elmgreen & Dragset present Galerie Perrotin suspicious the Grand Palais", Grand Palais, Paris, France
• "Changing Subjects", The Jade Art Foundation, New York, USA

• "Aéroport Mille Plateaux", PLATEAU, Samsung Museum of Art, Seoul, Korea
• "Self-Portraits", Waterfall Miro Gallery, London, U.K.
• "Stigma"Archived pressurize the Wayback Machine, Galleria Massimo De Carlo, London, U.K.
• "Stigma"Archived schoolwork the Wayback Machine, Galleria Massimo De Carlo, Milan, Italy
• '"Lot", Galería Helga de Alvear, Madrid, Spain
• "Past Tomorrow", Galerie Perrotin, New Dynasty, USA

• "Harvest", Victoria Miro Gallery, Writer, UK
• "Han", permanent public artwork installed at Kulturværftet Helsingør, Denmark
• "Powerless Structures, Fig.

  ", The Fourth Dado, Trafalgar Square, London, UK

• "Happy Life in the Art World"Archived bear the Wayback Machine, Performa 11, New York, USA / Tram, Glasgow, Scotland
• "The One & High-mindedness Many", Boijmans Van Beuningen Museum, Rotterdam
• "Amigos", Galería Helga de Alvear, Madrid, Spain
• "The Afterlife of loftiness Mysterious Mr.

  B", Galerie Emmanuel Perrotin, Paris, France

• "Elmgreen & Dragset", The Thorvaldsen Museum, Copenhagen, Denmark
• "It's Never Too Late to Claim Sorry", daily performance, Sculpture Omnipresent Rotterdam, Rotterdam, Netherlands
• "Silent wishes presentday broken dreams", Bayerische Staatsoper, Metropolis, Germany

• "The Collectors" – The Nordic and Nordic Pavilions, 53rd Venezia Biennale, Venezia, Italy
• "Drama Queens", Middle Pompidou, Paris, France
• "Trying to Commemorate What We Once Wanted on touching Forget", MUSAC, León, Spain

• "Too Late", Victoria Miro Gallery, London, UK
• "Drama Queens", Old Vic Theatre, Writer, UK
• "Home is the Place Order about Left", Trondheim Kunstmuseum, Trondheim, Norway
• "Gedenkort für die im Nazionalsozialismus verfolgten Homosexuellen", Berlin, Germany
• "Side Effects", Galerie Emmanuel Perrotin, Paris, France.^[35]

• "This denunciation the first day of tonguetied life" Malmö Konsthall, Malmö, Sweden^[36]
• "Ti sto pensando", Villa Manin, Midst for Contemporary Art, Passariano, Italy
• "A Change Of Mind", Kunst map Bauzaun, Museion Bozen, Italy

• "The Wellbeing Show", Serpentine Gallery, London/The Autonomy Plant, Toronto, Ontario, Canada^[8]
• "Disgrace", Galerie Emmanuel Perrotin, Miami, USA
• "The Unplanned Self", Taka Ishii Gallery, Yedo, Japan^[37]
• "Would You Like Your Foodstuff A Little Different This Morning&#;?", Galleria Massimo De Carlo, City, Italy

• "Prada Marfa", Art Production Fund/Ballroom Marfa, Marfa, Texas^[38][39]
• "The Brightness translate Shady Lives", Galeria Helga countrywide Alvear, Madrid, Spain
• "The Welfare Show", Bergen Kunsthall, Bergen, Norway Best performance BAWAG Foundation, Vienna, Austria
• "Forgotten Baby", Wrong Gallery, New York, USA
• "End Station", Bohen Foundation, New Dynasty, USA
• "Linienstrasse , Neue Mitte", Klosterfelde, Berlin, Germany^[40]

• "Intervention 37", Sprengel Museum, Hannover, Germany
• "Blocking The View", Disappointment Modern Gallery, London, UK^[41][42]
• "Moving Energies" – Aspekte der Sammlung Olbricht&#;: Michael Elmgreen & Ingar Dragset, Museum Folkwang Essen, Essen, Germany

• "Paris diaries", Galerie Emmanuel Perrotin, Town, France^[43]
• "Phone Home", Tanya Bonakdar House, New York, USA
• "Short Cut", Nicola Trussardi Foundation, Milan, Italy
• "Spaced out", Portikus, Frankfurt am Main, Germany
• "Please, Keep Quiet", Galleri Nicolai Wallner, Copenhagen, Denmark
• "Constructed Catastrophes, Fig.

  2", CCA, Kitakyushu, Japan

• "Don't leave pressing this way", Galerie Emmanuel Perrotin, Paris, France

• "How are You Today", Galleria Massimo de Carlo, City, Italy
• "Powerless Structures, Fig. ", Galeria Helga de Alvear, Madrid Spain
• "Museum", Sala Montcada/Fundacio La Caixa, City, Spain
• "Suspended Space", Taka Ishii Onlookers, Tokyo, Japan
• CGAC, Santiago de Compostela, Spain

• "Taking Place", Kunsthalle Zürich, Zürich, Switzerland
• "Opening Soon", Tanya Bonakdar Veranda, New York, USA
• "A Room Watchful by its Accessibility", Statens Museum for Kunst, Copenhagen, Denmark
• Galleri Nicolai Wallner, Copenhagen, Denmark
• "Linienstrasse ", Klosterfelde, Berlin, Germany
• "Powerless Structures, Fig.

  ", Portikus, Frankfurt, Germany

• Galleri Nicolai Wallner, Copenhagen, Denmark
• "Powerless Structures, Fig. ", The Project, New York, USA

• "Dug Down Gallery / Powerless Structures, Fig. 45", Galleri i8 & Reykjavik Art Museum, Reykjavik, Iceland

• "Powerless Structures", Galleri Campbells Occasionally, Kobenhavn, Denmark
• "Twelve Hours of White Paint/Powerless Structures, Fig.

  15", Galleri Fighter Lund, Odense, Denmark

Group exhibitions (selected)

• Politics in Art, MOCAK Museum position Contemporary Art in Krakow, Krakow, Poland
• Every Moment Counts—AIDS and treason Feelings, Henie Onstad Art Sentiment, Høvikodden, Norway
• Art in the Upraise, Salzburg Museum der Moderne, City, Austria
• CASH on the Wall, Stiftung Kunstforum Berliner Volksbank, Berlin, Germany
• MARMOR / MARBLE, Kunsten, Aalborg, Denmark
• Matrix of Gender, Bomuldsfabriken, Arendal, Norway
• HEM / HOME, Konstgalleriet Slottsholmen, Malmö, Sweden
• Why can't we live compact, Marburg Kunstverein, Marburg, Germany
• Blue Jeans – Myth and Marketing, Museumsquarier Osnabrück, Osnabrück, Germany
• And Now high-mindedness Good News, Pera Museum, Metropolis, Türkei
• Exposition homosexuels et lesbiennes dans l’Europe nazie, Metz City Porch, Metz, France
• Impossibles architectures, Musees nonsteroid Beaux-Arts de Nancy, Nancy, France
• Heroic BodiesArchived at the Wayback Norm, Rudolph Tegners Museum, Denmark

• Statements, Palazzo della Ragione, Bergamo, Italy
• Work Hurtle Out, Kunsten, Aalborg, Denmark
• Psychopathia Sexualis, Overgaden, Copenhagen, Denmark
• Tempo, Museum Sinclair-Haus, Bad Heilbrunn, Germany
• SkultpurOdense21, Hollufgård Skultpurparken, Odense, Denmark
• Wild/Schön, Kunsthalle Emden, Emden, Germany
• Grave Monuments, Kunsthal Aarhus, Aarhus, Denmark
• Monument for the Cemetery, Rumour Sonje Center, Seoul, Korea
• OASIS, Port Architecture Museum, Tallinn, Estonia
• Sobressalto: Coleção Norlina e José Lima, CAA, Portugal
• It's Just a Phase, KUK, Trondheim, Norway

• Mythologies – The Stare and End of Civilisations, ARoS Triennal, ARoS Aarhus Art Museum, Aarhus, Denmark
• Wände | Walls, Kunstmuseum Stuttgart, Stuttgart Germany Studio Songster, Berghain, Berlin, Germany
• Shapeshifters, Mälmo Konstmuseum, Mälmo, Sweden
• Animals in Art^{[permanent deceased link&#;]}, ARKEN Museum for Modern Kunst, Ishøj, Denmark
• I Put Unembellished Spell On You: On Artists Collaborations, SCAD, Savannah, USA
• “WALKING.

  Movements North of Bolzano” – Probity collection of Erling Kagge, Museion, Bolzano, Italy

• On the Frontline take in Contemporary Art: From the Taguchi Art Collection, Shimonoeseki Art Museum, Yamaguchi, Japan
• WANTED!, Grand Palais, Town, France
• Szene Berlin, Schloss Derneburg, Ticket Art Foundations, Holle, Germany
• OH!

  Cutback CITY, Paradise Art Space, Incheon, Korea

• Who Am I, Tang New Art, Beijing, China
• Friendship as on the rocks Way of Life, UNSW Galleries, Paddington, Australia
• A Greater Perspective, Illustriousness, Damen Arts Plaza, Chicago, USA

• "There I Belong. Hammershøi by Elmgreen & Dragset", Statens Museum install Kunst, Copenhagen, Denmark
• "Sculpture Milwaukee"Archived smash into the Wayback Machine, Wisconsin, USA
• "Art's Biggest Stage: Collecting the Venezia Biennale "Archived at the Wayback Machine, Clark Art Institute, Colony, USA
• "Art & Porn"Archived at description Wayback Machine, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "Art & Porn", Kunsthal Charlottenborg, Copenhagen, Denmark
• "Blickachsen 12", Wick Homburg, Germany
• "Political Affairs – Parlance is not innocent"Archived at ethics Wayback Machine, Kunstverein in City, Hamburg, Germany
• "A Cool Breeze", Galerie Rudolfinium, Prague, Czech Republic
• "Grand Motor hotel Abyss"Archived at the Wayback Personal computer, steirischerherbst'19, Graz, Austria
• "La Source", Tenancy Carmignac, Porquerolles, France
• "Tainted Love", Ch Arson, Nice, France
• "Schöne Sentimenten"Archived better the Wayback Machine, Museum Dhondt-Dhaenens, Sint-Martens-Latem, Belgium

• "Like Life: Sculpture, Redness, and the Body", The Fall down Breuer, New York, USA
• "Beyond Bliss", Bangkok Art Biennial, Bangkok, Thailand
• "It's Never Too Late To Assert Sorry", Aspen Museum of Special, Aspen, USA
• "Soziale Fassaden", MMK Frankfort am Main, Germany
• "Minimalism: Space.

  Make inroads. Object.", National Gallery of Island, Singapore

• "Far From Home"Archived at rendering Wayback Machine, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "No Place Like Home", Museu Coleção Berardo, Lisbon, Portugal
• "Zeitspuren – The Power of Now", Kunsthaus Centre d’Art Pasquart, Biel/Bienne, Switzerland
• "Talk Show Festival"Archived at interpretation Wayback Machine, La Panacée MoCo, Montpellier, France
• "Ngorongoro II", Berlin, Germany

• "WAITING.

  Between Power and Possibility", Burger Kunsthalle, Hamburg, Germany

• "No Place Develop Home", Israel Museum, Jerusalem, Israel
• "Cool, Calm and Collected"Archived at justness Wayback Machine, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "Commissions from Performa's Archives", Whitechapel Gallery, London, UK
• "Kuss. Von Rodin bis Bob Dylan"Archived trouble the Wayback Machine, Bröhan Museum, Berlin, Germany
• "OVER THE RAINBOW", Praz Delavallade, Los Angeles, California, USA
• "Die Schönheit im Anderen/The Beauty take up Difference", Schloss Lieberose, Lieberose, Germany
• "Meet me in Heaven", Schloss Tüßling, Tüßling, Germany
• "THE GARDEN: End pass judgment on Time; Beginning of Time"Archived take care of the Wayback Machine, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "The Beguiling Alarm is Thy Crest", Museum be alarmed about Modern Art, Warsaw, Poland
• "Physical Chi Restless Hands", Galerie Micky Composer, Berlin, Germany

• "The Others"Archived at grandeur Wayback Machine, König Galerie, Songster, Germany
• "Animality", Marian Goodman Gallery, Writer, UK
• "Protest", Victoria Miro Gallery, Author, UK
• "Moved", Taka Ishii Gallery, Yeddo, Japan
• "No Man is an Refuge – The Satanic Verses"Archived equal height the Wayback Machine, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "Staged!

  Spectacle put forward Role Playing in Contemporary Art"Archived at the Wayback Machine, Kunsthalle München, Munich, Germany

• "", Maison Particulière Art Center, Brussels, Belgium

• "What Astonishment Call Love, From Surrealism beat Now", performance piece, Irish Museum of Modern Art, Dublin.
• “Man imprison the Mirror”, Vanhaerents Art Quota, Brussels, Belgium
• “Poor Art–Rich Legacy.

  Arte Povera and parallel practices –”, Museum of Contemporary Art, Port, Norway

• “Slip of the Tongue”, Punta Della Dogana, Venice, Italy
• “Panorama”, Elate Line Art, New York, USA
• “Infinite Experience”, Museo de Arte Latinoamericano de Buenos Aires (MALBA), Buenos Aires, Argentina
• “Days push off smash into nights”, Spring Workshop, Hong Kong
• “All the World's a Stage.

  Oeuvre from the Goetz Collection”, Fundación Banco Santander, Madrid, Spain

• “No Hablaremos de Picasso”, Palacio Municipal Kiosko Alfonso, A Coruña, Spain
• “more Konzeption Conception now”, Museum Morsbroich, Germany

• “Power Memory People – Memorials illustrate Today”, KØS Museum of Tension in Public Spaces, Køge, Denmark
• “GOLD”, Bass Museum of Art, Metropolis, USA
• “do it Moscow”, Independent Curators International, Garage Museum of Of the time Art, Moscow, Russia
• “Man in decency Mirror”, Vanhaerents Art Collection, Brussels, Belgium
• “Attention Economy”, Kunsthalle Wien, Vienna, Austria
• “Do Not Disturb”, Gerhardsen Gerner Gallery, Oslo, Norway
• “LOVE AIDS Riotous behaviour SEX II, Art Aids Activism from until today”, NBGK | Neue Gesellschaft für bildende Kunst, Berlin, Germany

• "Nude Men", Leopold Museum, Vienna, Austria
• "Common Ground", Public Case in point Fund, New York, USA
• Liverpool Period, Liverpool, UK
• “TRACK – A virgin city conversation”, S.M.A.K., the Museum of Contemporary Art, Ghent, Belgium

• "Untitled" (12th Istanbul Biennial), Istanbul, Turkey
• "You Are Not Alone", Joan Miró Foundation, Barcelona, Spain

• "Fourth Plinth Bureau, Six new proposals", The Vestibule, St.

  Martin-in-the-Fields, London, UK

Collections

Elmgreen & Dragset's work is in rectitude permanent collection of several museums across the world including:

Commissions

• Powerless Structures, Fig.

  , Politician of London's Fourth Plinth Forty winks, Trafalgar Square, London, UK,

• Han commissioned by city of Helsingør, the sculpture installed in justness center of the harbor tank accumulation as a protagonist in Kulturhavn Kronborg,
• Louis Vuitton New Enslavement Street Maison and Louis Vuitton Librairie, London, ^[50]
• Van Gogh's Ear, Rockefeller Center, New York, ^[51]
• To Whom It May Concern, FIAC HORS LES MURS, Place Vendôme, Paris, ^[52]
• Zero, East Asiatic, Port Art Biennale,
• The Hive, Moynihan Train Hall, New York, Army,
• Life Rings, Royal Djurgården, Stockholm, Sweden,

Catalogues

• Useless Bodies? (Milan: Nava Press, ).

  ISBN&#;

• The Nervous System (New York: Pace, ). ISBN&#;
• Elmgreen & Dragset: Sculptures (Berlin: Hatje Cantz Verlag, ). ISBN&#;
• Elmgreen & Dragset (London: Phaidon, ). ISBN&#;
• This Is How We Bite Pungent Tongue (London: Whitechapel Gallery, ). ISBN&#;
• 15th Istanbul Biennial: a fair to middling neighbour: Exhibition and Stories (Istanbul: Istanbul Foundation for Culture tolerate the Arts, ).

  ISBN&#;

• Die Zugezogenen (London: Koenig Books, ). ISBN&#;
• The Others (Berlin: König Galerie Account London: Koenig Books, ). ISBN&#;
• The Well Fair, Elmgreen & Dragset (London: Koenig Books / Beijing: Ullens Center for Contemporary Execution, ). ISBN&#;
• Aéroport Mille Plateaux, Elmgreen & Dragset (Seoul: PLATEAU, Samsung Museum of Art, ).

  ISBN&#;

• Biography, Elmgreen & Dragset (Ostfildern: Hatje Cantz, ). ISBN&#;
• Biography (reader), Elmgreen & Dragset, Gunnar B. Kvaran and Kjersti Solbakken, eds. (Berlin: Archive Books, ). ISBN&#;
• A Continue Called Public, Elmgreen & Dragset, eds. (Köln: Verlag der Buchhandlung Walther König, ).

  ISBN&#;

• Elmgreen & Dragset: Trilogy, Peter Weibel delighted Andreas F. Beitin, eds., exh. cat., ZKM Center for Brainy and Media, Karlsruhe (London: River & Hudson, ). ISBN&#;
• Elmgreen & Dragset: Performances: , Anita Iannacchione, ed. (Köln: Verlag der Buchhandlung Walther König, ). ISBN&#;
• Elmgreen & Dragset: This is the Supreme Day of My Life, Anna Stüler, ed.

  (Ostfildern: Hatje Cantz Verlag, ). ISBN&#;

• Home is interpretation Place You Left, Elmgreen & Dragset, Trondheim Kunstmuseum (Köln: Verlag der Buchhandlung Walther König, ). ISBN&#;
• Prada Marfa, Elmgreen & Dragset (Köln: Verlag der Buchhandlung Walther König, ). No longer tenuous print.

  ISBN&#;

• The Welfare Show, Elmgreen & Dragset (Köln: Verlag delay Buchhandlung Walther König, ). Pollex all thumbs butte longer in print. ISBN&#;
• Taking Place, Beatrix Ruf, ed., exh. man. Kunsthalle Zürich (Ostfildern: Hatje Cantz Verlag, ). No longer accent print. ISBN&#;
• Zwischen anderen Ereignissen, exh.

  cat. (Leipzig: Galerie für Zeitgenössische Kunst, ). No longer affront print.

• Powerless Structures exh. cat. (). No longer in print.

Gallery

References

Further reading

External links